So I’m not inclined to split hairs over that concept here. Despite the gaps in the available documentation, the specifics of the 1770 Boston Massacre are clear enough to say there were five American colonists killed by British soldiers on that day and that they were then and later seen by American patriots as secular martyrs in the event.
Just a week after the massacre, Paul Revere engraved a story reporting on a funeral procession for four of the five victims: Samuel Gray, Samuel Maverick, James Calwell, and Crispus Attucks. The coffin on the right is for C.A. and he is named in the story. (1) The fifth martyr of the event, Patrick Carr passed away soon afterwards.
As the text in that story notes, their fellow citizens staged a procession for the bodies on their way to the cemetery of “the unhappy Victims who fell in the bloody Massacre of the Monday Evening proceeding.”
Thomas Jefferson also invoked the martyr theme when he wrote in 1787, “the tree of liberty must be refreshed from time to time with the blood of patriots..." The quote in its original context is followed by a sentence that sounds a bit odd in the context of 2026: (2)
[W]hat country can preserve it’s liberties if their rulers are not warned from time to time that their people preserve the spirit of resistance? Let them take arms. The remedy is to set them right as to facts, pardon and pacify them. What signify a few lives lost in a century or two? The tree of liberty must be refreshed from time to time with the blood of patriots and tyrants. It is it’s natural manure. [my emphasis]Couldn’t he have said “fertilizer” instead of “manure”? :)
Paul Revere also did this engraving of the Boston Massacre later that month, which was titled “The Fruits of Arbitrary Power, or the Bloody Massacre." (3)
The Wikimedia page on the image describes it as a “sensationalized portrayal of the skirmish, later to become known as the ‘Boston Massacre,’ between British soldiers and citizens of Boston on March 5, 1770.” It also notes that the image is “Not entirely an accurate depiction of the event that transpired.”
And it notes Revere’s published version included these verses, likely from him, as part of the pamphlet A Short Narrative of the Horrid Massacre in Boston:
Unhappy BOSTON! see thy Sons deplore,
Thy hallow'd Walks besmear'd with guiltless Gore:
While faithless P--n and his savage Bands,
With murd'rous Rancour stretch their bloody Hands;
Like fierce Barbarians grinning o'er their Prey,
Approve the Carnage, and enjoy the Day.
If scalding drops from Rage from Anguish Wrung
If scalding drops from Rage from Anguish Wrung
If speechless Sorrows lab'ring for a Tongue,
Or if a weeping World can ought appease
The plaintive Ghosts of Victims such as these;
The Patriot's copious Tears for each are shed,
A glorious Tribute which embalms the Dead
But know, FATE summons to that awful Goal,
But know, FATE summons to that awful Goal,
Where JUSTICE strips the Murd'rer of his Soul:
Should venal C--ts the scandal of the Land,
Snatch the relentless Villain from her Hand,
Keen Execrations on this Plate inscrib'd,
Shall reach a JUDGE who never can be brib'd.
The “P—n” in the first verse clearly refers to Captain Thomas Preston, the British commander of the massacre. He was acquitted. Eight other soldiers were tried for murder, of whom six were acquitted and two were convicted of manslaughter. Revere obviously did not take a generous view of the killer – nor should he have!
In a 1918 article for a American historical journal by Lousie Pehlps Kellogg – whose account is notable for its sympathetic description of the British killers – wrote, “Revere was an ardent patriot, and in all probability formed one of the crowd of spectators in King Street Square when the soldiers fired upon the populace. In the Boston Public Library is still preserved a sketch by his hand.” Even though it doesn’t seem that she meant it as a compliment, her description of Revere as “an ardent patriot” was certainly true!
And she does give a detailed account of the effects the image itself conveys. Including the backhanded compliment that the picture has “the charm peculiar to primitive productions.” But she also notes, “The passionate appeal for sympathy for the slain made by these inscriptions indicates the depths of feeling aroused by the massacre.” She also notes that a another Boston engraver, Henry Pelham, accused Revere of having plagiarized his work in the image, a claim to which she seems all too eager to give credence.
She closes by criticizing Revere’s image for being too patriotic: From a trivial encounter between imperial troops and the Boston mob, the incident [the Boston Massacre] arose to a position of international importance.” An outcome she obviously regretted! (4)
Karsten Fitz over a century later called attention to the problem of Crispus Attucks getting shortchanged in images of the massacre. She also examines the Revere engraving, noting that the image was “originally engraved-though most likely not produced - by Paul Revere.” She considers it likely that he took the image from an original engraving by Pelham. (5)
It’s notable in Revere’s color image that there are no dark-skinned individuals on the Patriot side. But Revere himself knew that Attucks was one of the victims, and he was very likely from the available evidence of African and indigenous American descent. The Wikimedia source page notes image is “[n]ot entirely an accurate depiction of the event that transpired.” But it doesn’t elaborate.
Fitz argues unambiguously, “All available textual sources consider Crispus Attucks as the leader of the Boston crowd which harassed the guard of the Custom House on March 5, 1770.”
She notes that John Adams himself in his closing arguments for the British defendants that Attucks was the leader of the protesters, quoting from the following passage:
There is no official register of Martyrs Of The American Revolution. But Phyllis Wheatley, a slave who according to the Kaplans, one of the two “first black poets whose poems were in print at the time of the Revolution, and who they also identify as the first slave and third woman to publish in a book of poems in the US, gave the first-martyr designation to Christopher Steel. Steel had protested against British soldiers in Boson and was executed for the murder of a Tory customs officer the 1769, a year before the Boston Massacre. She eulogized him in one of her poems:
(1) Photo: Four coffins of men killed in the Boston Massacre. Library of Congress - Reproduction Number: LC-USZ62-45586. <http://hdl.loc.gov/loc.pnp/cph.3a45777> Originally appeared in The Boston-Gazette, and Daily Journal 03/12/1770. Also included in: Hinderaker, Eric (2017): Boston’s Massacre, 14. Belknap Press: Cambridge & London.
(2) The tree of liberty... (Quotation). Thomas Jefferson Encyclopedia. <https://www.monticello.org/encyclopedia/tree-liberty-quotation> (Accessed: 2026-26-06).
(3) Gallery Slideshow File:Boston Massacre high-res.jpg. Wikimedia Commons. <https://commons.wikimedia.org/wiki/File:Boston_Massacre_high-res.jpg> (Accessed: 2026-26-06).
(4) Kellogg, Louise Phelps (1918): Paul Revere Print of the Boston Massacre. Wisconsin Magazine of History 1:4, pp. 377-387. <https://www.jstor.org/stable/4630108>
(5) Fitz, Karsten (2005): Commemorating Crispus Attucks-Visual Memory and the Representations of the Boston Massacre. Amerikastudien/American Studies 50:3, 463-484. <htps://www.jstor.org/stable/41158169>
(6) Kaplan, Sidney & Kaplan, Emma Nogrady (1989): The Black Presence in the Era of the American Revolution, Revised Edition. Amherst: University of Massachusetts Press.
The “P—n” in the first verse clearly refers to Captain Thomas Preston, the British commander of the massacre. He was acquitted. Eight other soldiers were tried for murder, of whom six were acquitted and two were convicted of manslaughter. Revere obviously did not take a generous view of the killer – nor should he have!
In a 1918 article for a American historical journal by Lousie Pehlps Kellogg – whose account is notable for its sympathetic description of the British killers – wrote, “Revere was an ardent patriot, and in all probability formed one of the crowd of spectators in King Street Square when the soldiers fired upon the populace. In the Boston Public Library is still preserved a sketch by his hand.” Even though it doesn’t seem that she meant it as a compliment, her description of Revere as “an ardent patriot” was certainly true!
And she does give a detailed account of the effects the image itself conveys. Including the backhanded compliment that the picture has “the charm peculiar to primitive productions.” But she also notes, “The passionate appeal for sympathy for the slain made by these inscriptions indicates the depths of feeling aroused by the massacre.” She also notes that a another Boston engraver, Henry Pelham, accused Revere of having plagiarized his work in the image, a claim to which she seems all too eager to give credence.
She closes by criticizing Revere’s image for being too patriotic: From a trivial encounter between imperial troops and the Boston mob, the incident [the Boston Massacre] arose to a position of international importance.” An outcome she obviously regretted! (4)
Karsten Fitz over a century later called attention to the problem of Crispus Attucks getting shortchanged in images of the massacre. She also examines the Revere engraving, noting that the image was “originally engraved-though most likely not produced - by Paul Revere.” She considers it likely that he took the image from an original engraving by Pelham. (5)
It’s notable in Revere’s color image that there are no dark-skinned individuals on the Patriot side. But Revere himself knew that Attucks was one of the victims, and he was very likely from the available evidence of African and indigenous American descent. The Wikimedia source page notes image is “[n]ot entirely an accurate depiction of the event that transpired.” But it doesn’t elaborate.
Fitz argues unambiguously, “All available textual sources consider Crispus Attucks as the leader of the Boston crowd which harassed the guard of the Custom House on March 5, 1770.”
She notes that John Adams himself in his closing arguments for the British defendants that Attucks was the leader of the protesters, quoting from the following passage:
... this Attucks ... appears to have undertaken to be the hero of the night; and to lead this army with banners, to form them in the first place in Dock square, and march them up to King street with their clubs ... this man with his party cried, do not be afraid of them . . . to have his reinforcement coming down under the command of a stout Molatto fellow, whose very looks was enough to terrify any person, what had not the soldiers then to fear? He had hardiness enough to fall in upon them, and with one hand took hold of a bayonet, and with the other knocked the man down: this was the behaviour of Attucks ... a Carr from Ireland, and an Attucks from Framingham, happening to be here, shall sally out upon their thoughtless enterprizes, at the head of such a rabble of Negroes, &c. as they can collect together. ...Sidney Kaplan and Emma Nogrady Kaplan make a strong argument for Attucks as the leader of the protest. They write, “At the trial of the king's officers, the fallen Attucks seemed very much alive. The evidence given in court, the newspaper reports, the earliest tradition, all single him out, in praise or blame, as the shaper of the event.” (6)
There is no official register of Martyrs Of The American Revolution. But Phyllis Wheatley, a slave who according to the Kaplans, one of the two “first black poets whose poems were in print at the time of the Revolution, and who they also identify as the first slave and third woman to publish in a book of poems in the US, gave the first-martyr designation to Christopher Steel. Steel had protested against British soldiers in Boson and was executed for the murder of a Tory customs officer the 1769, a year before the Boston Massacre. She eulogized him in one of her poems:
In heaven's eternal court it was decreedNotes:
Thou the first martyr for the cause should bleed
To clear the country of the hated brood
He whet his courage for the common good.
(1) Photo: Four coffins of men killed in the Boston Massacre. Library of Congress - Reproduction Number: LC-USZ62-45586. <http://hdl.loc.gov/loc.pnp/cph.3a45777> Originally appeared in The Boston-Gazette, and Daily Journal 03/12/1770. Also included in: Hinderaker, Eric (2017): Boston’s Massacre, 14. Belknap Press: Cambridge & London.
(2) The tree of liberty... (Quotation). Thomas Jefferson Encyclopedia. <https://www.monticello.org/encyclopedia/tree-liberty-quotation> (Accessed: 2026-26-06).
(3) Gallery Slideshow File:Boston Massacre high-res.jpg. Wikimedia Commons. <https://commons.wikimedia.org/wiki/File:Boston_Massacre_high-res.jpg> (Accessed: 2026-26-06).
(4) Kellogg, Louise Phelps (1918): Paul Revere Print of the Boston Massacre. Wisconsin Magazine of History 1:4, pp. 377-387. <https://www.jstor.org/stable/4630108>
(5) Fitz, Karsten (2005): Commemorating Crispus Attucks-Visual Memory and the Representations of the Boston Massacre. Amerikastudien/American Studies 50:3, 463-484. <htps://www.jstor.org/stable/41158169>
(6) Kaplan, Sidney & Kaplan, Emma Nogrady (1989): The Black Presence in the Era of the American Revolution, Revised Edition. Amherst: University of Massachusetts Press.







